It’s very bad news.” Beneath his genially impudent manner lurked a suggestion of preternatural self-assurance and even menace.īrown spent the next two and a half hours performing a series of increasingly inconceivable set pieces, organized around the theme of how susceptible we are to hidden influence. He looked more like the creative director of an advertising agency than like a mind reader, and seemed to take neither his spectators nor himself too seriously: when someone’s cell phone went off, he gave a look of mock alarm and said, “Don’t answer it. A slim, pale, vulpine man in his mid-thirties, with well-tended light-brown hair and a goatee, came onstage, dressed in a trim black suit and a black shirt. In a series of TV specials, he’d reinvented a waning branch of magic-mentalism-for a new generation, framing his feats as evidence not of psychic powers but of a cutting-edge knowledge of the mind and how to manipulate it.Ī few days later, I was sitting in a capacity audience at a theatre in Covent Garden. In 2005, when I was visiting London, a magician friend told me that I had to see the English mentalist Derren Brown, who was appearing in the West End, in his one-man show “Something Wicked This Way Comes.” Brown had become famous for an astonishing ability to seemingly read the thoughts of his fellow-humans and to control their actions. This content can also be viewed on the site it originates from.
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